
Great Movie Quote's and Lines, Part I
|
Fast
Times at Ridgemont High (1982) |
Jeff
Spicoli: |
(As Spicoli is entering class on the
first day of school) This
is |
|
Fast Times at Ridgemont
High (1982) |
Mike Damone: |
I can see it all now, this is gonna be just like last summer. You fell in love with
that girl at the Fotomat, you bought forty dollars
worth of fuckin' film, and you never even talked to
her. You don't even own a camera. |
|
Fast Times at Ridgemont
High (1982) |
Mr
Hand: |
(To
his class after scoring poorly on a test) What are you, people, on dope? |
|
Fast Times at Ridgemont
High (1982) |
Jeff Spicoli: |
(Talking
on the phone to his “Stoner Bud” and banging a shoe on his head) That was my skull! I'm so wasted! |
|
Fast Times at Ridgemont
High (1982) |
Mr
Hand: |
(After
Spicoli had a pizza delivered to class) Am I hallucinating here? Just what in the
hell do you think you're doing? |
|
|
Jeff Spicoli: |
Learning about |
|
Fast Times at Ridgemont
High (1982) |
Jeff Spicoli: |
(To
Mr. Hand who came to Spicoli’s home to tutor him) So what |
|
Revenge of the Nerds (1984) |
Gilbert: |
She's not that kind of girl, Booger. |
|
|
Booger: |
Why? Does she have a penis? |
|
Revenge of the Nerds (1984) |
Lewis: |
Jocks only think about sports, nerds
only think about sex. |
|
Revenge of the Nerds (1984) |
Takashi: |
Excuse please, but why do they call you
"booger"? |
|
|
Booger: |
[picking his nose] I don't know. |
|
There’s Something About Mary (1998) |
|
Have you seen my baseball? |
|
There’s Something About Mary (1998) |
Pat Healy (Matt Dillon): |
(Spying
on Mary) Husband... negative. Children and a |
|
There’s Something About Mary (1998) |
Pat Healy: |
What the hell is Brett Farve
doing here: |
|
|
Brett Farve: |
I'm in town to play the Dolphins, you
dumb ass. |
|
There’s Something About Mary (1998) |
Mary’s Stepfather: |
(When Ted gets his genitals stuck in
the zippers) Is it the frank or the beans? |
|
|
Ted: |
I don't know, both I guess |
|
|
|
[from outside] Franks and Beans!
Franks and Beans! |
|
|
Mary’s Stepfather: |
Oh man! How'd you get the beans above the
frank? |
|
There’s Something About Mary (1998) |
Hitchhiker (Harlan
Williams): |
You heard of this thing, the 8-Minute
Abs? |
|
|
Ted: |
Yeah, sure, 8-Minute Abs. Yeah, the excercise video |
|
|
Hitchhiker: |
Yeah, this is going to blow that right
out of the water. Listen to this: 7... Minute... Abs. |
|
|
Ted: |
Right. Yes. OK, alright. I see where
you're going. |
|
|
Hitchhiker: |
Think about it. You walk into a video
store, you see 8-Minute Abs sittin' there, there's
7-Minute Abs right beside it. Which one are you gonna
pick, man? |
|
|
Ted: |
I would go for the 7. |
|
|
Hitchhiker: |
Bingo, man, bingo. 7-Minute Abs. And we
guarantee just as good a workout as the 8-minute folk. |
|
|
Ted: |
You guarantee it? That's - how do you do
that? |
|
|
Hitchhiker: |
If you're not happy with the first 7
minutes, we're gonna send you the extra minute
free. You see? That's it. That's our motto. That's where we're comin' from. That's from "A" to "B". |
|
|
Ted: |
That's right. That's - that's good.
That's good. Unless, of course, somebody comes up with 6-Minute Abs. Then
you're in trouble, huh? |
|
|
Hitchhiker: |
(Hitchhiker convulses) |
|
|
Ted: |
That’s - good point. |
|
|
Hitchhiker: |
7's the key number here. Think about it.
7-Elevens. 7 doors. 7, man, that's the number. 7 chipmunks twirlin' on a branch, eatin'
lots of sunflowers on my uncle's ranch. You know that old children's tale
from the sea. It's like you're dreamin' about
Gorgonzola cheese when it's clearly Brie time, baby. Step into my office. |
|
|
Ted: |
Why? |
|
|
Hitchhiker: |
'Cause you're fuckin'
fired! |
|
Weird Science (1984) |
Wyatt: |
You know |
|
Weird Science (1984) |
Lisa: |
So, what would you little maniacs like
to do first? |
|
Weird Science (1984) |
Lisa: |
(As Wyatt almost wrecks the car they are
driving in) Are you Okay? |
|
|
Garry: |
Well, my nuts are halfway up my ass, but
other than that, I'm perfect! |
|
Weird Science (1984) |
Chet (Bill Paxton): |
I'm gonna tell
Mom and Dad everything. I'm even considering makin'
up some shit!" |
|
Weird Science (1984) |
Wyatt: |
(As mutant bikers enter their house and
they are hiding in a closet) Garry, don't you feel like a chicken? |
|
|
Garry: |
Wyatt, if I could shoot an egg out my ass
right now, I would! Look we can deal with shame,
death is a much deeper issue. |
|
Weird Science (1984) |
Chet: |
You two donkey-dicks couldn't get laid
in a morgue. |
|
This is Spinal Tap (1984) |
Ian Faith: |
Certainly, in the topsy-turvy world of
heavy rock, having a good solid piece of wood in your hand is often useful |
|
This is Spinal Tap (1984) |
Marty Dibergi
(Rob Reiner): |
It's very pretty |
|
|
Nigel Tufnel
(Christopher Guest): |
Yeah, I've been fooling around with it
for a few months. |
|
|
Marty Dibergi: |
It's a bit of a departure from what you
normally play. |
|
|
Nigel Tufnel
: |
It's
part of a trilogy, a musical trilogy I'm working on in D minor which is the
saddest of all keys, I find. People weep instantly when they hear it, and I
don't know why. |
|
|
Marty Dibergi: |
It's very nice. |
|
|
Nigel Tufnel
: |
You know, just simple lines
intertwining, you know, very much like - I'm really influenced by Mozart and
Bach, and it's sort of in between those, really. It's like a Mach piece,
really. It's sort of... |
|
|
Marty Dibergi: |
What do you call this? |
|
|
Nigel Tufnel
: |
Well, this piece is called "Lick My
Love Pump". |
|
This is Spinal Tap (1984) |
David St. Hubbins (Michael Mckean): |
It's such a fine line between stupid, and
clever. |
|
This is Spinal Tap (1984) |
Marty Dibergi
(Rob Reiner): |
"This pretentious ponderous
collection of religious rock psalms is enough to prompt the question, 'What
day did the Lord create Spinal Tap, and couldn't he have rested on that day
too?'" |
|
This is Spinal Tap (1984) |
David St. Hubbins (Michael Mckean): |
Dozens of people spontaneously combust
each year. It's just not really widely reported. |
|
This is Spinal Tap (1984) |
Nigel Tufnel
: |
The numbers all go to eleven. Look,
right across the board, eleven, eleven, eleven and... |
|
|
Marty Dibergi: |
Oh, I see. And most amps go up to ten? |
|
|
Nigel Tufnel
: |
Exactly. |
|
|
Marty Dibergi: |
Does that mean it's louder? Is it any
louder? |
|
|
Nigel Tufnel
: |
Well, it's one louder, isn't it? It's
not ten. You see, most blokes, you know, will be playing at ten. You're on
ten here, all the way up, all the way up, all the way up, you're on ten on
your guitar. Where can you go from there? Where? |
|
|
Marty Dibergi: |
I don't know. |
|
|
Nigel Tufnel
: |
Nowhere. Exactly. What we do is, if we
need that extra push over the cliff, you know what we do? |
|
|
Marty Dibergi: |
Put it up to eleven? |
|
|
Nigel Tufnel
: |
Eleven. Exactly. One louder. |
|
|
Marty Dibergi: |
Why don't you just make ten louder and
make ten be the top number and make that a little louder? |
|
|
Nigel Tufnel
: |
(pause)] These go to eleven |
|
This is Spinal Tap (1984) |
Nigel Tufnel
: |
We've got Armadillos in our trousers.
It's really quite frightening. |
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